Sounds of The Seventies
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- SEOPS Hippo
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By 1975 disco was crossing from the R & B to the pop charts, but 1976 was the year it truly arrived. Many white artists began performing this heretofore black music, and a number of noveity hits were spawned by acts that quickly disappeared again. The grand entrance of disco was illustrated by the emergence of Donna Summer, who proved to be one of the genre's enduring stars.
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- SEOPS Hippo
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- SEOPS Hippo
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- SEOPS Hippo
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- mustang_lvr
- SEOPS Hippo
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- mustang_lvr
- SEOPS Hippo
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- mustang_lvr
- SEOPS Hippo
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1976
In 1973, Donna Summer was back in Munich, performing in Godspell and singing backup vocals at Musicland Studio, where she met owner and producer Pete Bellotte and his partner, Glorgio Moroder.
Both men were keeping a keen eye on Americana's disco movement, which by 1975 was no longer the secret of urban blacks and gays. That year they had Summer record Love to Love You Baby, a heavy-breathing track inspired by the recent European sucess of Je T' Aime....mal Non Plus by Jane Birkin and Serge Gainsbourg.
In 1973, Donna Summer was back in Munich, performing in Godspell and singing backup vocals at Musicland Studio, where she met owner and producer Pete Bellotte and his partner, Glorgio Moroder.
Both men were keeping a keen eye on Americana's disco movement, which by 1975 was no longer the secret of urban blacks and gays. That year they had Summer record Love to Love You Baby, a heavy-breathing track inspired by the recent European sucess of Je T' Aime....mal Non Plus by Jane Birkin and Serge Gainsbourg.
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- SEOPS Hippo
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- SEOPS Hippo
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- Joined: Thu Nov 11, 2004 6:47 am
1976
using new techniques spawned by the disco D Js, Moroder mixed a 17-minute version of Donna Summer's sighing,groaning and gasping R & B tune for nonstop dancing. He leased it to Neil Bogart of Casablanca records in America, where a few similar sexy tracks were underground disco hits.
using new techniques spawned by the disco D Js, Moroder mixed a 17-minute version of Donna Summer's sighing,groaning and gasping R & B tune for nonstop dancing. He leased it to Neil Bogart of Casablanca records in America, where a few similar sexy tracks were underground disco hits.
GO LOGAN..The anti-Christ is among us
- mustang_lvr
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1976
Wild Cherry typified the white novelty aspects of disco with Play That Funky Music. Leader Bob Parissi, who took the group's name off a box of cough drops while he was in the hospital, had already seen one incarnation of his band dissolve; he was getting frustrated with audiences on the Cleveland-to-Pittsburgh disco circut that the rockers were playing. Discussing the problem backstage one night, drummer Ron Davis repeated a cry they often heard from the audience; "Play that funky music." Only in jest, he added the phrase "White Boy" Parissi dashed off the song on a napkin at the disco where his band was playing, and it was later recorded as the B-side to a cover version of the Commodores--I Feel Satisfied
Wild Cherry typified the white novelty aspects of disco with Play That Funky Music. Leader Bob Parissi, who took the group's name off a box of cough drops while he was in the hospital, had already seen one incarnation of his band dissolve; he was getting frustrated with audiences on the Cleveland-to-Pittsburgh disco circut that the rockers were playing. Discussing the problem backstage one night, drummer Ron Davis repeated a cry they often heard from the audience; "Play that funky music." Only in jest, he added the phrase "White Boy" Parissi dashed off the song on a napkin at the disco where his band was playing, and it was later recorded as the B-side to a cover version of the Commodores--I Feel Satisfied